Cahiers d'Art celebrates the 100th issue of the revue with Hiroshi Sugimoto.
The issue, a true tribute to Sugimoto, is rooted in The World is Dead Today, a story written by Sugimoto for his exhibition at the Palais de Tokyo (2015), in which his photographic works are juxtaposed against his eclectic antiques collection recounting the end of modernity.
Issue No.1 2014 is a rare opportunity to see unpublished works reproduced at the highest standard.
Cahiers d'Art is pleased to present the Limited Edition of Cahiers d'Art No. 1, 2014, dedicated to Hiroshi Sugimoto.
Presented in an embossed yellow linen box, designed by the artist, this special edition of the Cahiers d'Art revue, limited to 25 signed and numbered copies in English and 25 signed and numbered copies in French, features the artist's recent work, Marchel Duchamp, Bicycle Wheel, 2014 as a special cover, unique to the Limited Edition.
This second issue of the newly published Cahiers d’Art revue focuses predominately on the work of Rosemarie Trockel, who’s 2013 piece, Clock Owner, graces the cover of this edition.
In addition to a feature on Trockel, the publication also introduces the work of Peter Fischli and David Weiss, Le Corbusier, Inge Mahn, Absalon, and Riccardo Paratore.
In the tradition of outstanding contributors to Cahiers d’Art, this second issue of the newly published art journal includes articles by world-renowned writers, curators and art historians including Hans Ulrich Obrist, Brigid Doherty, Joan Simon, Jean Louis Cohen, Michel Houellebecq, and poems by Rolf Dieter Brinkmann.
A limited signed and numbered edition of 75 copies in French and 75 copies in English is also available with a special edition of the vinyl print Squeezable, 2014 bound within each copy.
The limited edition of Issue No. 1 – 2 , 2013 of the Cahiers d’Art revue comes in a plexiglass box created by the artist.
The Cahiers d’Art revue has always been at the heart of Cahiers d’Art, and the re-launch of the revue in 2012 resurrects this tradition.
The Limited Edition of Issue N°1, 2012 replaces Ellsworth Kelly's Black Form I with White Form as its own special cover. Each Limited Edition has been signed by the artist, whose signature appears adjacent to Red Form for Cahiers d’Art (2012), a colour lithograph created specially by the artist on the occasion of the release of Issue No. 1.
75 numbered copies in English
75 numbered copies in French